Prodige
As a follow-up to last year’s Propice, the second Prix Ricard curated by Robert Fleck focuses on an even-younger set in Prodige. Three rooms give something of the sense of the plurality and energy of what he describes as an ‘extremely independent’ new generation, if making it hard to get much sense of each artist’s output. The overall result is patchy but amid some forgettable stuff and Seamus Farrell’s highly irritating installation, look out for Guillaume Janot’s photos taken in Glasgow station, Natacha Lesueur’s foodie fishnet tights, Valerie Mrejen’s video, Fabien Verschaere’s ice siren in its freezer coffin, and Zbigniew Adach’s large, multi-canvas painting of deconstructed modern building.
